[download pdf] Engaging Characters: Fiction, Emotion, and the Cinema by Murray Smith

Engaging Characters: Fiction, Emotion, and the Cinema. Murray Smith

Engaging-Characters.pdf
ISBN: 9780198871071 | 320 pages | 8 Mb

• Engaging Characters: Fiction, Emotion, and the Cinema
• Murray Smith
• Page: 320
• Format: pdf, ePub, fb2, mobi
• ISBN: 9780198871071
• Publisher: Oxford University Press

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Characters - those fictional agents populating the fictional worlds we spend so much time absorbed in - are ubiquitous in our lives. We track their fortunes, judge their actions, and respond to them with anger, amusement, and affection - indeed the whole palette of human emotions. Powerfully drawn characters transcend their stories, entering into our imaginations and deliberations about the actual world, acting as analogies and points of reference. And yet there has been remarkably little sustained and systematic reflection on these creatures that absorb so much of our attention and emotional lives. In Engaging Characters, Murray Smith sets out a comprehensive analysis of character, exploring the role of characters in our experience of narrative and fiction. Smith's analysis focuses on film, and also illuminates character in literature, opera, song, cartoons, new and social media. At the heart of this account is an explanation of the capacity of characters to move us. Teasing out the various dimensions of character, Smith explores the means by which films draw us close to characters, or hold us at a distance from them, and how our beliefs and attitudes are formed and sometimes reformed by these encounters. Integrating these arguments with research on emotion in philosophy, psychology, evolutionary theory, and anthropology, Engaging Characters advances an account of the nature of fictional characters and their functions in fiction, imagination, and human experience. In this revised, twenty-fifth anniversary edition of Engaging Characters, Smith refines and extends the arguments of the first edition, with a substantial new introduction reviewing the debates on emotion, empathy, and film spectatorship that the book has inspired.

Engaging Characters - Fiction, Emotion, and the Cinema
Engaging Characters - Fiction, Emotion, and the Cinema (Paperback) Thrillers, weepies, horror movies, and melodramas evoke characteristic kinds of emotional Format: PaperbackRelease date: September 1995Country of origin: United KingdomFirst published: October 1995
Engaging Characters: Fiction, Emotion, and the Cinema Tapa
Engaging Characters discusses emotional responses to films, integrating them into a theory of engagement (`identification') with characters in cinematic and 
Engaging Characters: Fiction, Emotion, and the - Book Culture
In Engaging Characters, Murray Smith sets out a comprehensive analysis of character, exploring the role of characters in our experience of narrative and fiction By: Murray SmithPublisher: Oxford University Press, USAPublication Date: May 24th, 2022
Engaging Characters: Fiction, Emotion, and the Cinema
Engaging Characters discusses emotional responses to films, integrating them into a theory of engagement (`identification') with characters in 
Engaging Characters: Fiction, Emotion, and the Cinema
Thrillers, weepies, horror movies, and melodramas evoke characteristic kinds of emotional response, yet emotion is not much examined by film or literary 
Engaging Characters: Fiction, Emotion, and the Cinema
Title, Engaging Characters: Fiction, Emotion, and the Cinema. Author, Murray Smith. Publisher, Clarendon Press, 2004. Length, 265 pages.
Engaging Characters Fiction, Emotion, and the Cinema
emotional lives. these encounters. Integrating these arguments with research on emotion in philosophy, psychology, evolutionary theory, and anthropology, 
Engaging Characters: Fiction, Emotion - 4 Kids Books & Toys
In Engaging Characters, Murray Smith sets out a comprehensive analysis of character, exploring the role of characters in our experience of narrative and fiction 
Engaging Characters: Fiction, Emotion, and the Cinema
Engaging Characters presents a precise discussion of the varieties of emotional response to films, integrating them into a larger theory of our engagement (or " 

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